home *** CD-ROM | disk | FTP | other *** search
- <text id=90TT0534>
- <title>
- Feb. 26, 1990: Murdochisms
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Feb. 26, 1990 Predator's Fall
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 71
- Murdochisms
- </hdr>
- <body>
- <qt> <l>THE MESSAGE TO THE PLANET</l>
- <l>by Iris Murdoch</l>
- <l>Viking; 563 pages; $22.95</l>
- </qt>
- <p> Novels by Dame Iris Murdoch are about as sturdy and reliable
- as a well-made trench coat. The reader can count on several
- things from these lengthy dissections of the British
- intelligentsia, and the new installment, her 24th, is no
- exception. One can be sure, for instance, that demon lust and
- his faithful servant, self-deception, will make fools of the
- witty, wise and powerful. There will probably be a maddeningly
- masochistic woman and a childish, manipulative man. A young
- person, usually a girl, will act as an unsparing force of
- nature.
- </p>
- <p> By now, too, the author's mannerisms are like old pals. One
- staple is stretches of unanchored dialogue so protracted that
- one has to go back and count off who is speaking. Another is
- italics. A simple sentence like "If only Marcus could start
- writing, then everything would move" would not appear to need
- emphasis, but Murdoch's fans play along, as if she were somehow
- reading the story aloud.
- </p>
- <p> The same applies to the liberal use of quotation marks,
- which run through the books like tiny underscoring arrows. The
- Message to the Planet is overly fond of this intrusive nudging.
- Here is the latest Murdoch female masochist in full lament:
- "Franca contained in her breast a storm of anguish and violence
- so terrible that she had at times, when she was alone and
- longing to `break down,' to clutch her breast." Terrible, for
- that matter, is a favorite word. So are appalling, awful,
- horrible, dreadful and all forms of the word dark. "These
- dreadful ideas, horrors from the past now poised to darken the
- future" is typical of Dame Iris at her most overwrought.
- </p>
- <p> It is easy, far too easy, to poke fun at these
- idiosyncrasies. What Murdoch can do surpassingly well is move
- a narrative. Once caught in her grip, the reader flies through
- myriad complications, signal switches and genuine surprises. The
- Message to the Planet is not her strongest book. It chronicles
- the decline of Marcus Vallar, a charismatic man who may have
- mysterious healing powers. But the central figure is a tiresome
- young don, Alfred Ludens, who is preoccupied with genius--he
- is writing a book about Leonardo--and obsessed by Vallar. The
- subplot involves a pigheaded painter and his attempts to
- maintain a particularly grotesque menage a trois. There is some
- wit here; the book could in fact be viewed as a send-up of
- Doris Lessing's more apocalyptic fictional efforts. But in
- Murdoch's best work, the characters have more zip than these do.
- On to Novel 25.
- </p>
- <p>By Martha Duffy.
- </p>
-
- </body>
- </article>
- </text>
-
-